Musical Family Tree

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I was totally shocked to hear about his death today. Our plane had just touched down in Indy and I saw this news come through my Twitter feed. A heart attack, 59, New Orleans.

I first heard Big Star when I was 19 which was about 1991. My buddy and bandmate and the time, Doug Shawhan, played a worn out cassette of "Third/Sister Lovers". He played Big Black Car, Holocaust, Dream Lover... I was hooked. It sounded like a realization of what the Velvet Underground had hinted at. It was incredibly sad and beautiful music. Big Black Car haunted me. A rare song that perfectly married the lyrics to the music. You could see a post fame, disillusioned Chilton driving in this huge black car around Memphis, probably a little stoned and medicated, pulling off to stay at a hotel for no real reason. It was thick and beautiful. That album changed the way I thought about music. Few albums ever do that.

I got sucked in deep. Picked up both available CDs including the double CD comp of their first two records "#1 Record" and "Radio City".

I studied the crystal clear pop of "#1 Record" and obsessed over Chilton's track Thirteen which still stands as an unparalleled classic. It is the rare perfect song and perfect recording. Many have covered it but no-one has surpassed the original.

Then I really got into "Radio City". To this day I still claim that as my favorite album, my island record. "What's Going Ahn" and "Daisy Glaze" changed how I thought about songwriting. I listened to "Oh My Soul" over and over, it was like a wonderful song puzzle. The guitar sounds on that record sound almost 3-D at times. No-one made a Strat ring & sing like Alex Chilton. He was a masterful guitarist and underrated I think. I would take Chilton over a Clapton or other "big name" guys anytime.

I met Chilton a couple times in the early to mid 90s. First time he was on tour with the Box Tops. In reality he may have been the only original member. It was at a fair in Mishawaka, Indiana. I was still living in South Bend, the summer before living in Bloomington so it must have been 1992. It was hard to see him in that arena of corn dogs and 40 something Hoosiers waiting for "The Letter". I snuck backstage, if you can call a loosely roped off area that, and introduced myself. I was a fawning fan boy at first but then told him something like "I didn't come for the Box Tops, I'm a Big Star fan. When is that going to happen again?" He kinda perked up and said some stuff about "well it's me and Jody now and I don't, we might be doing something soon." I know my conversation was not reason he started playing those songs again or restarted Big Star but I like to think it was part of a growing chorus that eventually led to him returning to that material and, unfortunately, trying to write some new material under the name. (not a fan of "In Space", noble but failed effort)

The second time I met him was at Second Story when he played there around 1994-5. By then Big Star had gotten together again for a couple gigs (with the Posies) and the wheels were in motion. He played a mixed set of Big Star, solo and cover tunes. He was really good. Strat running into a small Fender amp. No effects. Three piece band I think.

Although his output in recent years was often questionable at best he was still an amazing live performer. He only had the golden muse for a few years but he made good use of it. He changed my life for the better and I'm sure many of you feel the same way. He will be missed. RIP Alex.

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Tags: alex, big, chilton, star

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Comment by Jeb Banner on April 9, 2010 at 8:50am
great article. thanks for posting
Comment by mike whybark on April 8, 2010 at 10:19pm
Long Times-Picayune obit, really interesting:

http://www.nola.com/music/index.ssf/2010/04/post_7.html


via Matt on FB.
Comment by John P. Strohm on March 22, 2010 at 11:50pm
Yep, that's it. Although I specifically remember in the fourth paragraph she mentioned Teenage Fanclub. Wonder why that got edited out. Teenage Fanclub were the ultimate Big Star devotees - I'm sure they'd have been profoundly flattered.
Comment by mike whybark on March 22, 2010 at 8:51pm
Billboard published Laura's note in their roundup on the show. I'm reposting it here:

Laura Chilton's complete statement:

"Even though Alex left this world way too soon, I feel so fortunate to have been his friend and wife. I would like to say a fewthings about his relationship with music and also speak of what he was about as a person. He was an individual who did what he pleased. However, he was also the most considerate and sincere person I've ever known. He loved life and people and usually befriended the underdogs. He saw beauty in what other people would just dismiss- old ricketyhouses about to fall down- he would say- "now that's a great house worth buying." He would spend 10 minutes chatting with ahomeless person on the street and always helped them out with some money. He was a good listener and was very compassionate. He was extremely generous- always giving time, energy and money to his friends with a no strings attached attitude.

There is one aspect to his personality that seemed to define how he approached and interpreted life and that is a consistenttendency to be absolutely clear in expression and communication. His mind worked analytically; he had a low tolerance level forvagueness and carelessness. His relationship with music was all about analysis. When listening and appreciating a piece of music,whether it be a Beach Boys tune or a Bach partita, he was able to pay attention to individual elements simultanously: harmony,rhythm, melody, meter, etc.

I believe this is why he loved working in the studio- producing records. He spoke a lot about John Frye teaching him how to do work in the studio and how he enjoyed playing around with the different elements. The one thing he was absolutely proud of was producing the Cramps records. He would play them at home and and just talk and talk about the experience. He was also quite proud of the Detroit garage band The Gories -- both his work with them and the band itself. He was very excited for them now that they are playing shows again.

At home in New Orleans Alex lived a simple and relaxed life. He watched a lot of TV while fooling around on the keyboard and guitar. We played music together- both classical and pop. He rode around town on his bike and loved to strike up conversation with whoever he came across. For the past few years, when I lived with him, he listened and played classical Baroque music, Scott Joplin rag tunes and 60's pop music. Names that often came up include the following: Carole King, Petula Clark, Brian Wilson, the Byrds, Frederic Knight, the band Free, George Frederic Handel, Georges Muffat, Haydn and the baroque performance group Musica Antiqua Koln. There are dozens more but these names come to mind as I'm writing this.

The final point I would like to draw attention to was he valued spontaneity. This would seem to contradict his insistence on analysis and accuracy but somehow he managed to be both at the same time. Honestly, this remains a mystery to me and is probably why he has been described as a genius and a musician's musician. I am only speculating on this but I am thinking it is probable. I will miss him forever and will honor him by maintaining and developing what I've learned from him: compassion, spontaneity, honesty, directness, generousity, an excellent listener and enthusiasm about what life has to offer. He had a blase attitude towards death- it didn't interest him. The same goes for sleep;,he just said the other day that he wished he could be awake 24/7- life was too interesting and he didn't want to waste it sleeping. I laughed at that but I knew he was serious.

On that note, I need to end this little essay and go take a nap- here's what Alex would say: "Night, sug."
Comment by John P. Strohm on March 22, 2010 at 3:07pm
Hello, all. I'm just back from SXSW and I'm still reeling from these events. Every year I make a (very) short list of things I MUST do at SXSW, and this year it was only one item: SEE BIG STAR. Then I found out about Alex's death early Wednesday evening and it just sort of left me stunned all weekend long.

I loved the tribute show - among other reasons because Evan Dando (who performed) is the person who first turned me on to Alex's music. I'd just joined the Lemonheads (in 1987) and we covered Mod Lang. Evan lent me his vinyl copy of Radio City and I immediately became obsessed. Alex's music has meant so much to me over the years - I met him a few times on bills opening for him in the late 80s and early 90s and he was always gracious and encouraging. Several of his records will always remain among my very favorites (particularly Sister Lovers).

Laura: I really loved your letter (read during the tribute). Such a touching portrait - and such insight into his everyday life in New Orleans. I remember you from Bloomington but I didn't realize you were married to Alex until Teri Grenert told me earlier today. I'm so sorry for your loss.
Comment by Jeff Vargon on March 20, 2010 at 1:24pm
Dear Laura,

I am deeply sorry for your loss. I met Alex nearly two dozen times over the past 16 years, caught nearly every New York City gig he played in all of his musical incarnations since 1994 and even had the opportunity to hang out with him backstage after a Coney Island High, NYC gig in 1998. the one aspect of Alex's personality that always stood out was how much of a gentleman he was. Whether he was hit with a barrage of fans as happened after the November 1995 Big Star show at Tramp's, NYC to a smaller number of fans last May at Hoboken, NJ he always took the time to chat with us, sign the items we brought and despite being tired still managed to appear bemused at our sheer adoration of him and his talent. Being a behind the scenes archiver of Alex's East Coast shows, I had the chance to give him a copy of what was probably the most intimate of these, an impromptu acoustic show he played at the Knitting Factory on February 13, 1997, shortly after the club had lost power. Despite playing an all out electric set, Alex came onto the club floor, began strumming a guitar belonging to an audience member and went on to play a full set for those of who had remained after the majority of the crowd had left. Suffice it to say, this is one gig I'll never forget.

While i am certain you have a good amount of Alex's personal effects I'd be more than happy to pass on to you copies of any and all of the shows I've recorded and accumulated since my second in 1995. I have video recordings of two 1998 solo performances, two by the Box Tops from 1999 and 2009 respectively, and roughly half of the show he'd played with Big Star in September 2009. Please contact me if you are interested, and please know while we "fans' may have not had the relationship you did with Alex, many of us grew to admire, respect and love him nonetheless.

Take care,

Jeff Vargon
Bronx, New York
Comment by mike whybark on March 20, 2010 at 1:14pm
Laura, I had no idea! I worked out Michael's comment, below, this morning in my sleep and woke up thinking about you. My sincere condolences. Oh man!
Comment by Bill Zink on March 20, 2010 at 12:17pm
Hi Laura - I am very sorry for your loss. To those here, like me, who never knew Alex, the loss is abstract, though real . . . the world just became a little colder. I can only imagine the immediacy of his absence for you. Take care of yourself, and give my regards to Matt and Mike and Michael and the rest of the New Orleans contingent.

David - I was also at that Muggins Easter Sunday show, along with Lisa Sorg. You are right, it was a great show. Of the five or so times I saw him, that one was the best.
Comment by Jeb Banner on March 20, 2010 at 11:08am
Laura, thanks for joining this thread. I am so sorry for your loss. I hope you take comfort in the fact that your husband was loved, admired and clearly revered by so many around the world. He was a completely unique person and talent.
Comment by David England on March 20, 2010 at 8:57am
The first time I saw Alex was maybe 1986 or 87 on Easter Sunday at a small club called Muggins beside The Vogue on College Ave. I remember already being in the club, when a station wagon pulled up. It was the band. They walked in carrying guitars, amps and drums. 3 piece band. Alex played a Tele through a Fender Super Reverb amp. It still ranks in the top 3 shows I've ever seen. Not many people there. His guitar playing was amazing. Not flawless, but that's what was so great about it. He was fearless, and since that night I've always been somewhat bored with guitar players that never get out of their comfort zone. He broke a string, so I waited until no one was looking and grabbed it after the show. It hung on my wall for years until I moved. I still have it somewhere. Someone video taped that show and I had a copy of it I watched 100 times. I've looked for it for years, but can't find it. Really wish I could see it another 100 times.

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